One of the most striking pieces in Anatolian Clarinet Connection’s repertoire is their special arrangement of Nikolai Rimsky-Korsakov’s renowned Scheherazade Symphonic Suite. Originally around 50 minutes in length, this masterpiece is performed by the ensemble in a condensed and impactful 23-minute version.
The ensemble also features an adaptation of Alexander Borodin’s celebrated Polovtsian Dances from the opera Prince Igor. With its vibrant rhythms and colorful themes, this arrangement showcases the dynamic range and expressive power of the clarinet ensemble, and the group has produced a recorded performance of this work as well.
The ensemble presents adaptations of chamber music works written for various combinations of instruments, arranged for three clarinets and piano. In this context, impactful works such as Karl and Franz Doppler’s “Rigoletto Fantasia” are brought to life with the ensemble’s interpretation. The repertoire also features a special arrangement of the aria “Alla Bella Despinella” from Wolfgang Amadeus Mozart’s opera Così fan tutte, highlighting the ensemble’s refined lyrical expression and stylistic versatility.
Reflecting the very essence of its name, Anatolian Clarinet Connection places a strong emphasis on musical roots connected to Anatolian culture. In this spirit, the ensemble presents a special arrangement based on Tolga Taviş’s compilation of Three Anonymous Turkish Folk Songs, offering a contemporary chamber music perspective on traditional melodies and highlighting the ensemble’s cultural identity.
Alongside this, the repertoire also includes Pedro Iturralde’s “Memorias,” a work that seamlessly blends jazz and light music elements, performed in a distinctive arrangement that leaves the audience with a memorable closing impression.
Showcasing the ensemble’s deep connection to rhythm, movement, and dance-inspired repertoire, Anatolian Clarinet Connection has performed George Gershwin’s Three Preludes and Pedro Iturralde’s Pequeña Czarda in unique ensemble arrangements. These pieces highlight the group’s technical mastery, stylistic versatility, and vibrant energy. Video recordings of these performances are presented in this section, giving audiences a lively sense of the ensemble’s stage presence and interpretive range.
The ensemble is also able to present a selection from Johann Sebastian Bach’s French Suites in a unique arrangement for three clarinets without piano. This performance format highlights the pure tonal blend and contrapuntal clarity of the clarinet trio, offering audiences an intimate and stylistically refined Baroque experience.